MEDITERRANEUS XXXVI (2013):

• Kosuke NAKADA, The Taktika of Emperor Leo VI and the Byzantine Eastern Frontier in his Reign.
• Ryo YUGAMI, La finanza e la fischalità nella Repubblica di Venezia all'inizio del Settecento: la gelata del 1709 e gli effetti sui dazi nel trevigiano.
• Masaki YAMATE, Le inchieste sui contadini ravennati condotte dalla contessa Pasolini.
• Emi KOISHI, The Combination of Lion and Symbol Motif on the Aegean Glyptic.
• Motoaki ISHII, [Book Review] Ch. Mizuno, The Strata of Images: Miracle, Substitute and Prophecy in Renaissance Imagery.

MEDITERRANEUS XXXV (2012):

• Ayako TAHARA, From the Nile to the Eden: Nilotic Images in the Early Christian Churches.
• Jun YAMADA, La maestosa figura umana nel cubicolo 39 (NR) delle catacombe di Domitilla: Nuove riflessioni dopo la scoperta.
• Hirofumi SUGAWARA, St. Anna Eleousa as a Representation of Tenderness.
• Mamoru FUJISAKI, Charity Organizations of the Medieval Papal Curia: Alms House and Hospitals.
• Kayoko TAKIMOTO, Las Memorias de Leonor López de Córdoba: la contradicción como estrategia narrativa.
• Yui TOYODA, La pintura de Santa Isabel de Hungría de Murillo (1672) y la idea fundadora del Hospital de la Santa Caridad, Sevilla.
• Sanae KAWADA, La pratique musicale durant l'Office de Ténèbres à la Chapelle Royale: étude concernant l'exécution des Leçons de Ténèbres.
• Aya HIWATASHI, Venezia contemporanea, lo sviluppo della città e il ruolo della navigazione interna.
• Kyoko HAGA, [Book Review] A. Mizuta, The Parthenon Frieze: Observation and Analysis.
• Yoshiki ONO, [Book Review] N. Mochizuki, Nicolas Poussin: Lisés l'istoire et le tableau.

MEDITERRANEUS XXXIV (2011):

• Aki NAKAGAWA, Gallia Cisalpina e Cesare di fronte alla liberalitas nelle iscrizioni.
• Maria FUKADA, I rilievi in stucco delle storia di Polifemo, Galatea e Aci a Villa Madama: La relazione tra Galatea e l'impresa di Giulio de' Medici.
• Yasushi UEDA, La pédagogie du piano au Conservatoire national de musique de Paris de la dernière moitié du XIXe siècle: Étude consacrée au « style » et au « mécanisme ».
• Taisuke KURODA, The Reutilization of the Ruins of the Porticus Octaviae as Dwelling: Comparison and Verification of the Etchings Works by G.B. Piranesi.
• Hidenobu JINNAI, [Book Review] M. Watanabe, Venezia nell'Età di Palladio.
• Yoshie KOJIMA, [Book Review] Y. Yokote, Medievalism in Italian Architecture: A Crossover of Past and Future.

MEDITERRANEUS XXXIII (2010):

• Toshihiro ABE, The Relationship between Lords and Peasants in the Frontier of the County of Barcelona in 12th Century: A Case of Region of Tortosa.
• Yoichi KAJIWARA, Les facultés de théologie et les ordres mendiants dans le Midi à la fin du Moyen Âge: exemples de Toulouse et de Montpellier.
• Fumika ARAKI, Reinterpretazione della Cappella Carafa di Filippino Lippi: Il committente come protettore della Castità.
• Tomoe HAMAZAKI, The Formation of the Republic of Turkey and Its Music: Focusing on the Issue of "Harmonization" of Turkish Folk Songs.
• Yuko TAKAHASHI, Recent Surveys and Studies about Early Iron Age of Greece: 2000-2009.
• Jun YAMADA, [Book Review] Y. Fujii, A Study of Iconography on Roman Glass around the 4th Century.
• Keiko OTA, [Book Review] M. Kisaichi, Maghrib Societies and Saint Worship in the Middle Ages.

MEDITERRANEUS XXXII (2009):

• Koji KUWAKINO, I giardini italiani della prima età moderna come spazio in cui gestire le informazioni.
• Ewa KAWAMURA, Piranesi e il Grand Tour; la cerchia britannica e altri committenti-viaggiatori. (I)
• Tomoko YASUKAWA, Conférence sur la modalité dans la musique grecque (1878) de Bourgault-Ducoudray et la signification historique.
• Kazuaki AWA, [Book Review] M. Kanazawa, Cosmographia Romanica: The Iconography of the Tapestry of Creation in Girona.

MEDITERRANEUS XXXI (2008):

• Yuriko SAKURAI, The Frescoes Program of the New Church of Tokalı Kilise, Cappadocia.
• Juri WAGURI, Le Scuole Grandi e i nobili nella Venezia rinascimentale. (I)
• Akihito KUDO, Colonial Cities and Urban Forms in Nineteenth Century Algeria.
• Tomoko TAKAHASHI, Vasari and the Maniera Moderna of Giorgione.
• Ryo MIYASHITA, Topoi of Oriental Travel Books between the Antiquity and the Different Culture: French Ambassador d'Aramon and His Companies.
• Noboru SATO, Internal Bribery and Athenian Society in the late 5th and 4th Century BCE.
• Shigetake NAGAO, [Book Review] J. Higaya, The Interpretation of the Ancient Architecture in the High Renaissance.
• Kaoru ADACHI, [Book Review] N. Kai, Federico Barocci e I Cappuccini: rose della carità e invito all'orazione.

MEDITERRANEUS XXX (2007):

• Takako NIWA, On Supergalleys of the Hellenistic Age.
• Takuma ITO, Maso Finiguerra desegnatore e la cultura grafica del suo tempo.
• Mariko KANEMITSU, "Teoria" e "Pratica" della musica da ballo delle launeddas.
• Noboru SATO, Bribery and Athenian Diplomacy.
• Chieko Shinozuka, [Book Review] K. SENGOKU-HAGA, Sculpture of Ancient Rhodes.
• Yoshinori KYOTANI, [Book Review] Y. Kanehara, Prato: Art and Devotion to the Sacred Belt.
• Juri WAGURI, [Book Review] Sh. Oguro, The Greedy and Deceitful: Fluctuating Image of Medieval Merchant.
• Yuko TAKAHASHI, M. Thomatos, The Final Revival of the Aegean Bronze Age.

MEDITERRANEUS XXIX (2006):

• Hiroyuki KASHIWAGI, On the Blocks of the Stone Structure of Prince Khaemwaset at Abusir-South Hill, Egypt.
• Tomoo MATSUBARA, Oculus coeli, ovvero del San Paolo in trono di Domenico Beccafumi.
• Naomi SASAKI, A Study on the Types and Occasions of Italian Secular Cantatas in the 17th and the 18th Centuries.
• Mariko MURAMATSU, La "memoria" nella opere di Antonio Tabucchi, tra manierismo e impegno.
• Toshihiro OSADA, [Book Review] T. Hirayama, Kleitias and Athenian Black-Figure Vases in the Sixth-Century B.C.
• Ryusho TAKEBE, [Book Review] Y. Otsuki, Empire and Charity.
• Takashi YAMADA, [Book Review] E. Kawamura, Alberghi storici dell'isola di Capri.

MEDITERRANEUS XXVIII (2005):

• Tetsunori IKEZU, Ancient Greek Supplication ("hiketeia") and the Grounds for "Escape to Sanctity" in the Classical Society.
• Takuma ITO, L'identità di Giovanni di Francesco.
• Takashi YAMADA, L'Impresa del Teatro Nuovo di Napoli negli anni 1770-71; il caso della "famosa" e mai documentata rappresentazione de Le Trame per amore di Paisiello.
• Satoshi TERAO, Greek Speaking Communities in Italy.
• Yoshie KOJIMA, Il progetto e gli interventi di Edoardo Arborio Mella per il ripristino della Cattedrale di Borgo San Donnino. (I)
• Manabu AKIYAMA, [Book Review] K. Hopkins, A World Full of Gods.
• Tomoyuki MASUDA, [Book Review] S. Tsuji, A Study of the Wooden Doors of Santa Sabina in Rome.

MEDITERRANEUS XXVII (2004):

• Mitsuru HAGA, Das Zeustempel von Olba: Kilikia in hellenistischer Zeit (2).
• Aya YOSHIKAWA, The Music of Johannes Ciconia at the Court of Visconti: His Works in the Lucca Codex.
• Naomi SASAKI, The Church Documents and Letters of Antonio Cesti: A Study on Opera Production and Performance by Priest in Seventeenth Century Italy.
• Taro KIMURA, Riflessione sulle interpretazioni del cosidetto "San Giovanni Battista" del Caravaggio.
• Kiyoko ISHIKAWA, Autour du thème du "hammam" dans les romans contemporains du Maghreb d'expression française.
• Chieko SHINOZUKA, [Book Review] J. J. Winckelmann, Geschichte der Kunst des Altertums, trans. by N. Nakayama.

MEDITERRANEUS XXVI (2003):

• Kyoko SENGOKU-HAGA, Gli scultori greci e i committenti romani in Roma repubblicana.
• Mika TAKIGUCHI, Byzantine Gospel Manuscripts with Multiple Images of the Life of Christ.
• Mari KAWAKAMI, Giovanni Vincenzo Cappelletti e l'architettura in Italia nel secondo Ottocento.
• Mie ASAKURA, Émergence de "l'art vestimentaire" de 1905 à 1912: Genèse théorique et pratique de la robe simultanée de Sonia Delaunay.
• Shigetoshi OSANO, [Book Review] A. Akiyama, Auf der Suche nach dem Ruhm. Albrecht Dürers Self-fashioning.
• Yuko TAKAHASHI, [Book Review] D. Evely et al. (eds.), Minotaur and Centaur: Studies in the Archaeology of Crete and Euboea presented to Mervyn Popham.

MEDITERRANEUS XXV (2002):

• Sakurako FUJISAWA (IMAI), La porticus nella casa di Trimalchione (Sat. 29 e 72): lo spazio e la sua funzione.
• Hisatsugu KUSABU, The Byzantine anti-heretics policy: Heresiologies and Legislation analyzed.
• Midori SONODA, Scelte poetiche e scelte dello stile compositivo di un musicista del Cinquecento: Alcuni indizi forniti dal carteggio di Giaches de Wert.
• Yoko KITADA, La stampa e la politica culturale di Cosimo I: Stamperia ducale Lorenzo Torrentino (1547~1563).
• Kazuoki SHIUCHI, Municipal Charter of Roman Spain: A Town Image in the Law Text.
• Morihisa ISHIGURO, La propaganda politica e i discorsi sui principi del tardo rinascimento: Alcuni considerazioni sopra "Apoteosi di Cosimo I" nel Palazzo Vecchio.
• Akira NOMACHI, [Book Review] M. Akiyama, Church Fathers and Interpretation of Classical Heritage: The scope of typology.

MEDITERRANEUS XXIV (2001):

• Momoe KANAZAWA, The Iconography of the Classical Sea Monster 'Cetus' and the Birth of Dragons: A Study of Sea Monsters in the Tapestry of Creation in Girona.
• Makoto KATO, Creating bastides in South-West France: A Case in Agenais between the 13th and 14th Century.
• Utako KURIHARA, Une Étude La Chute de la maison Usher de Claude Debussy: Autour de son acceptation d'Edgar Allan Poe.
• Chihiro NAGATA, Spina and the Activity of the Etruscans: Intercultural Relations in the Northern Mediterranean Region before the Roman Control.
• Kazumi NUKUI, « El Triunfo de Baco » de Velázquez: la influencia de sus bodegones y la intención del pintor.
• Yoshie KOJIMA, [Book Review] E. Castelnuovo, La cattedrale tascabile: Scritti di storia dell'arte.

MEDITERRANEUS XXIII (2000):

• Shin-ichi NISHIMOTO / Sakuji YOSHIMURA / So HASEGAWA, The Sarcophagus of Royal Scribe Mes found at North Dahshur.
• Naoko NISHIMOTO, The Folding Bed of Tutankhamun.
• Taro HYUGA, Virgil's Circe: a subliminal portent of war in Aeneid 7.
• Kiyoshi ISHIKAWA, The Planning Procedure of the Church of Santa Maria delle Carceri in Prato: A Reconsideration of the Renaissance Centralized Church.
• Tatsuko MORI, J.-G. Noverre reconsidéré en tant que critique à travers ses Lettres sur la danse et sur les ballets.
• Hidenobu JINNAI / Mari HATTORI / Takashi HIDEMA, La struttura dello spazio urbano nella città marittima di Amalfi: considerazione in base alle indagini sul posto.
• Kenji ODA, [Book Review] K. Syoju, History of the Byzantine Empire.

MEDITERRANEUS XXII (1999):

• S. YOSHIMURA / J. KONDO / S. HASEGAWA / T. NAKAGAWA / S. NISHIMOTO / T. SAKATA / M. ETAYA, Preliminary Report of Excavations at Dahshur North, Egypt. (E.)
• Makoto ANZAI, A Chorus Who Performs a Poet: Pindar's Third Nemean Ode, 1-12.
• Shinya UENO, Civic Ideology 'Polis = Citizenry': A Demonstration.
• Manabu AKIYAMA, St. Basil and the Renaissances: Relationship between theology and humanism.
• Kohei IKEGAMI, Piero della Francesca and the Venetian Altarpiece.
• Akira AKIYAMA, Die Schöpfung einer römischen Malerin "Marthia".
• Mayumi WATANABE, [Book Review] S. Kirishiki Commentaries on Bertotti-Scamozzi's "Le fabbriche e i disegni di Andrea Palladio."

MEDITERRANEUS XXI (1998):

• S. YOSHIMURA / J. KONDO / S. HASEGAWA / T. NAKAGAWA / S. NISHIMOTO / H. KASHIWAGI / T. SAKATA / M. ETAYA, Preliminary Report of Excavations at Dahshur North, Egypt. (E.)
• Mitsuru HAGA, Die Propyläen: von archaischer Zeit bis zum 2.Jh.n.Chr.
• Yoshinori KYOTANI, La citazione del cosiddetto "Fregio di S. Lorenzo" negli affreschi della Sala dei Mesi nel Palazzo Schifanoia.
• Il KIM, Quattrocento Studioli. The Historical Background of Fifteenth-century Humanism in Italy and the Changing Reception of De vita solitaria. (E.)
• Shusaku KANAKUBO, Monteverdi's Lost Opera "Arianna" and Commedia dell'arte: A Consideration around the Birth of Opera.
• Shiro NATORI, [Book Review] La Méditerranée de Paul-Albert Février.

MEDITERRANEUS XX (1997):

• S. YOSHIMURA / J. KONDO / S. HASEGAWA / T. SAKATA / M. ETAYA / T. NAKAGAWA / S. NISHIMOTO, A Preliminary Report of the General Survey at Dahshur North, Egypt. (E.)
• Yoko KAMENAGA, L'attegiamento verso il debito pubblico a Genova nel basso medioevo: l'esempio della famiglia Lomellini.
• Shiro MIYATAKE, Doña Gracia Nasi: A Jewess in the Mediterranean World of the Sixteenth Century.
• Tomoko TAKAHASHI, Reconsidering the Meaning of Giorgione's Laura.
• Juri WAGURI, La proprietà fondiaria dei veneziani, 1520-1570: l'attività e l'idea di Alvise Cornaro.
• Tadayoshi ISHIHARA, Características Lingüísticas del Arabe Dialectal Andalusí: Desde el Punto de Vista Fonológico.
• Kuniko FUJIWARA, The Worship of Saints and Relationship among Social Groups in Malta: A Case Study of the Southern Village of Ghaxaq.
• Taro NISHIMURA, [Book Review] Kazuhiko TANGE Critical Essays on Greek Tragedy.

MEDITERRANEUS XIX (1996):

• Nobuyuki FUJII, Theban Rebellion under the Reign of Takeloth II: A Study of the Priests of Amen under the Libyan Dynasty.
• Chieko SHINOZUKA, Theseus' Ship: Reconsideration on the François Vase.
• Akira AKIYAMA, Die Schnelligkeit der künstlerischen Ausführung Dürers während seiner zweiten Italienreise.
• Masahiro OGAWA, [Book Review] Naoko YAMAGATA, Homeric Morality.

MEDITERRANEUS XVIII (1995):

• Nobuo KOMITA, Poseidon and the Indo-Europeans.
• Kozue KOBAYASHI, « Judas/Œdipus Legend » in Medieval Latin and Romance Languages.
• Yuki KATO, The Modal Theory of Gioseffo Zarlino.
• Michiaki KOSHIKAWA, Contribution to the Drawings of Domenico Tintoretto. (E.)
• Setsuko YOSHIKAWA, The First Impressionist Exhibition and the Salon. (E.)
• Madoka SUZUKI, Akoris through out the Predynastic to the Graeco-Roman Periods -- a brief outline. (E.)
• Tsuneo NAKAYAMA, [Book Review] Masahiro OGAWA, Studies in Virgil: A Creative Roman Poet.

MEDITERRANEUS XVII (1994):

• Toshihiro OSADA, Beitrag zum Studium des Frieses vom Reiterdenkmal des Aemilius Paullus.
• Tomoyuki MASUDA, The Island of Agioi Nikolaoi -- A Byzantine City in Lycia and the Early Cult of St. Nicholas.
• Koh SUENAGA, The Woodcut Illustrations of Five Editions of Vitruvius's Ten Books on Architecture Publishied in the Sixteenth Century in Italy.
• Yasuhiro OHTSUKI, [Book Review] Hiroshi TAKAYAMA, The Medieval Mediterranean and the Kingdom of Sicily.

MEDITERRANEUS XVI (1993):

• Koichi HADA, Histoire des peintures <Andromède>.
• Noritaka KIKUCHI, El monasterio de San Pedro de Roda y su taller del siglo XII.
• Keiko MIYAMOTO, The Miniatures of the Süleymanname: Its Style and the System of Production.
• Mako YOSHIZUMI, Caravaggio's « Stigmatization of St. Francis » in Hartford: A Reconsideration of its Iconography. (E.)
• Ryoji MOTOMURA, Chester: Mediterranean City on the Northern Frontier of the Roman Empire. (*)
• Masahiko MORI, [Book Review] Shigetoshi OSANO Antiquity in Memory: The Reception of the Antique in the Art of the Renaissance.

MEDITERRANEUS XV (1992):

• Rui NAKAMURA, The Dual Structure of the Odyssey Frieze. (E.)
• Hidemi TAKAHASHI, References to the Blessed Virgin Mary in Eary Christian Latin Verse. (E.)
• Keiko OHTA, Movement of Moutain Folk in the Eleventh Century -- Nasr b. Musaraf al-Rawadifi.
• Yo TOKUHASHI, Libri di Ricordanze dei mercanti italiani nel Medioevo.
• Satoshi OKADA, Lodoli and Piranesi in Parere su l'Architettura.
• Keiji BABA, [Book Review] Pausanias' Description of Greece, Transl. by K. Iio.
• Keiko TAKAKI, [Book Review] E. Gellner, Muslim Society.

MEDITERRANEUS XIV (1991):

• Miyako HIROSE, Sugli archi di Augusto nel foro romano -- ricerca basata sulle nuove indagini.
• Yumiko MARUYAMA, Un aspect des oeuvres lyriques aux XVIIe et XVIIIe siècles -- Remarque sur le prologue de l'opéra-ballet.
• Yoko YANO, Homère aveugle: une image d'artiste dans la peinture néo-classique.
• Junichi TOBE, The World of Norimasa Kuwahara. (*)
• Midori WAKAKUWA, [Book Review] Masanori Aoyagi Urbs Roma.

MEDITERRANEUS XIII (1990):

• Norio MATSUMOTO, Mediterranean World and Christianity in Late Antiquity.
• Shiro SASANO, The Idea of the City in the Oriental Region of the Byzantine Empire in the Sixth Century -- The Strategic Cities in the Book Peri Ktismaton.
• Kazuaki AWA, Las miniaturas del Códice « Beatus » de El Escorial.
• Chika AMANO, Le Cubisme et la Décoration -- Les discours autour d'art/ décoratif 1890-1914.
• Kiyoo UEMURA / Shigetoshi OSANO, L'Arte a Siena -- Precisazioni sullo svolgimento delle ricerche storico-artistiche in Italia negli anni 1980. (*)
• Toru MIURA, Some Remarks on Urbanism in Islam. (*)
• Tsutomu SAKAMOTO, [Book Review] Zeynep Çelik The Remaking of Istanbul -- Portrait of an Ottoman City in the Nineteenthe Century.

MEDITERRANEUS XII (1989):

• Yasutami FUKUI, Possibility of Fusion of Two Goddesses: 'Anat and Asherah'.
• Takashi TANIICHI, Spacer Glass Beads in the Second Millennium B.C.
• Yoshihiro OSHIBA, The Character of Turnus in the Aeneid.
• Kiyoshi ISHIKAWA, Il ruolo di Michelozzo di Bartolomeo nelle attività edilizie fiorentine del primo Rinascimento.
• Atsushi MIURA, Le portrait de M. Desboutin par Manet et le problème de la représentation de l'artiste.
• Masanori AOYAGI, [Book Review] Filippo Coarelli Il Foro Romano.

MEDITERRANEUS XI (1988):

• Tohru SATO, The Merits and Demerits of 'τα μαθηματα'. (E.)
• Yuko ARAKAWA, J. M. W. Turner's Representation of the History: from <pagan> to <Christian> world.
• Hiroaki SAKURAI, A la recherche du lien entre l'œuvre et les noms: en cas de Mirèio par F. Mistral.
• Hiroko TAKAHASHI, [Book Review] R. L. Pisetzky Il costume e la moda nella società italiana.
• Iwao KOBORI, [Book Review] M. Barceló et alii Les Aigües Cercades: Els qanãt(s) de l'illa de Mallorca.

MEDITERRANEUS X (1987):

• Toshio KATSUMATA, The Ritual Use of the Marine Style Vases on the LMIB Period in Crete.
• Yoshiki KANAZAWA, Acculturated or Not?: Observations on Indigenous Culture and Society of Egyptians under the Hellenism.
• Shigeo SAWAI, Campanella, Apologia pro Galileo.
• Setsuko YOSHIKAWA, Manet from the Perspective of Still Life Paintings
• Hiroshi MINO, L'Inspiration méditerranéenne -- Valéry et Camus.
• Ikuko ISHIHARA, The Characteristic of a Horror Film in "The Spirit of the Beehive" Directed by V. Erice.
• Tomoo MATSUDA, "Sehnsucht nach Süden" -- des deutschen Bürgertums in Wiederkehr. (*)
• Kozue KOBAYASHI, [Book Review] Eva C. Keuls The Reign of the Phallus -- Sexual Politics in Ancient Athens.
• Chikako KATAYAMA, [Book Review] Two Unknown Aspects of Renaissance Music.

MEDITERRANEUS IX (1986):

• M. AOYAGI / R. MOTOMURA / T. SUZUKI / S. NAGAO / H. JINNAI, Cultural Structure of Mediterranean Cities. (*)
• Midori WAKAKUWA, Un saggio sulle sibille di Michelangelo nella Cappella Sistina (1).
• Katsumi MIYAZAKI, Les Motifs de Nature Morte chez Cézanne -- autour de la bouteille et des pommes.
• Tokiko SUZUKI, [Book Review] Quelques études récentes sur J.-L. David.

MEDITERRANEUS VIII (1985):

• Masaaki Kubo, Sappho-Ovidius-Renaissance. (E.)
• Seiji Honda, Garcilaso de la Vega y la Libertad Humana -- un estudio sobre el renacimiento español.
• Yasufumi Kijima, An Outline of Urban Dwellings in the Mediterranean Cities.
• Norio Matsumoto, [Book Review] L. Casson Travel in the Ancient World.
• Caterina Limentani Virdis, [Book Review] L. Castelfranchi Vegas Italia e Fiandra nella pittura del Quattrocento. (E.)

MEDITERRANEUS VII (1984):

• Shigetoshi OSANO, Di Nuovo Rogier van der Weyden in Italia. (I.)
• Shuji TAKASHINA, Balzac's Le Chef-d'oeuvre inconnu. (E.)
• Tadahiko WADA, Un'America in Italia nel ventennio nero.
• Atsuko HOSOI, Quelques remarques pour le classement des manuscrits de Lysias.
• Tohru SATO, Greek Science -- τα μαθηματα and η φυσικη.(*)
• Shigebumi TSUJI, [Book Review] Sahoko TSUJI Du monde classique au monde chrétien: étude sur les mosaïques de pavement II.

MEDITERRANEUS VI (1983):

• Masako TANJI, The Reinterpretation of the Figurines from Çatal Hüyük.
• Masanori AOYAGI, Statua di Augusto di Prima Porta.
• Norimasa KUWAHARA, Sea-faring and Crime -- On the Surrounding Problems of Seneca's Medea 301-79.
• Tatsuko SHINOHARA, La construction "à deux étages" dans Les Heures d'Etienne Chevalier.
• Akinori KATO, L'ambiente Residenziale degli Immigrati Italiani -- Dal Veneto al Rio Grande do Sul.
• Shigebumi TSUJI, [Book Review] Sahoko TSUJI Du monde classique au monde chrétien: étude sur les mosaïques de pavement.

MEDITERRANEUS V (1982):

• Kazuhiko TANGE, Osten vs. Westen -- Von den Persern des Aischylos.
• Kenichiro HIDAKA, Da Ciriaco al Filarete.
• Saburo KIMURA, Etudes sur Diogène Jetant son Ecuelle de Nicolas Poussin. (F.)
• Mariko TAMANOI, The Transformation of the Masoveria System -- Reports from Besalú in Old Catalonia.
• Takao AEBA, Deux abbayes Cistericiennes en Provence.(*)
• Tomoko ISHIDA, Modern Greek Historiography.(*)
• Ryoji MOTOMURA, [Book Review] Paul Veyne La Pain et le Cirque -- Sociologie historique d'un pluralisme politique.

MEDITERRANEUS IV (1981):

• Rinscho TAKEBE, Ein Versuch über die Ironie des Sophokles.
• Masahiro OGAWA, Virgile et les origines de Rome -- A propos de l'Enéide VII-XII.
• Chikako AMANO, La "Division du canon" attribuée à Euclide et la théorie mathématique des intervalles musicaux.
• Hiroko TAKAHASHI, Rubens and Italy -- A critical survey.
• Naomi TAKEYA, Denuncia e Speranza di Leonardo Sciascia -- L'Italia è sicilianizzata.
• Tomotada IWAKURA, [Book Review] De vulgari eloquentia Dante Alighieri, Opere minori II Classici Ricciardi, 1979.
• Kenzo SAKAMOTO, [Book Review] Shuntaro Ito The Medieval Latin Translation of the Data of Euclid.

MEDITERRANEUS III (1980):

• Hideo SUZUKI, Climatic Changes and Human History in the Mediterranean Region.
• Manabu TAJIMA / Hidenobu JINNAI, Studi sulla Storia dell'Urbanistica in Italia.
• Madoka SUZUKI, La Collection Egyptienne de l'Université de Kyoto. (F.)
• Norio NAKAYAMA, Untersuchung der auf weissgrundigen Lekythen dargestellten Grabmäler.
• Kosaku TOGUCHI, [Book Review] L'Ars Nova Italiana del Trecento IV, Centro di Studi-Certaldo, 1978.
• Norio MATSUMOTO, [Book Review] R. M. Grant, Early Christianity and Society.

MEDITERRANEUS II (1979):

• Sasagu ARAI, Simonianische Gnosis und die Exegese über die Seele.
• Vincenzo TUSA, Archeologia e Storia nella Sicilia Occidentale. (I.)
• Norio NAKAYAMA, Untersuchung der auf weissgrundigen Lekythen dargestellten Grabmäler.
• Takashi SEKI, Prinzipien des Entwurfs in der griechischen Kunst.
• Akiko MABUCHI, [Book Review] Theodore Reff, The Notebooks of Edgar Degas and Degas, the artist's mind.

MEDITERRANEUS I (1978):

• Tsuneo NAKAYAMA, Von Osten nach Westen -- Wanderung und Verwandlung von Vergils Aeneas.
• Atsuko HOSOI, La prose d'art chez Hérodote -- Hdt. 1. 201-216.
• Clifford WEBER, Gallus' Grynium and Virgil's Cumae. (E.)
• Norio NAKAYAMA, Untersuchung der auf weissgrundigen Lekythen dargestellten Grabmäler.
• Tamotsu TANABE, Simone Weil et sa conception de la sphère de civilisation méditerranéenne.
• Tokiko SUZUKI, [Book Review] E. H. Gombrich, Heritage of Apelles.